unallowed

As an adoptee, I would like to humbly and respectfully point out that all circumstances necessitating the relinquishment of a child to the foster care system are inherently traumatic.  Adoption itself is a form of trauma.  In some cases — the best cases — adoption is akin to the amputation and cauterization of a limb to preserve life, and even then, you are being forcibly severed from someone to whom you were biologically attached.

I and many other adoptees grew up being reminded that we could have been aborted — not just by peers and family members, but by licensed medical professionals and therapists.  Sometimes this was to remind us to be grateful.  Sometimes it was to bully or threaten us.  In the most harmful cases, it was so professionals who were not adoptees themselves could prove to us that the abuse we were experiencing from our adoptive families and actively seeking help for was not actually abuse and that we somehow had earned whatever poor treatment we were receiving.

Our lives have never been sacred.  We have always been used as props for people peddling the sanctity of life and lauding our adopters as saviors.

It’s incredibly infuriating and hurtful to hear adoption being touted as a panacea when it is an incredibly expensive, incredibly complex, and incredibly daunting thing, not just for the adoptees themselves but for the adoptive parents who do care about their children as individuals and understand what they’re taking on.  In no way, shape, or form should adoption be presented as a suitable alternative for abortion, a medically necessary lifesaving procedure.  It’s not an either-or situation.

I was abused, sexually assaulted, and raped multiple times by my first boyfriend when I was fifteen or sixteen.  He knew that I was not on birth control.  He had been pushing me for months to talk to my mother about it, but whenever I tried, she would fly into a rage.  Unsurprisingly, he kept forcing himself on me until he got me pregnant.  When I told him, he threatened to kill me if I didn’t take care of it.  I stopped eating lunch at school so I could save up for my half of the abortion cost.  Even though he had a car and a driver’s license, he didn’t come with me to the clinic.  I ended up having to catch a ride downtown with my friend’s mother.  I was not asleep or even lightly sedated for the procedure.  It was one of the most painful and traumatic things I have ever experienced.  I saw clumps of tissue and blood being suctioned out of my body.  I walked to the bus stop alone afterward, harassed by people holding signs with gruesome imagery, herded off the sidewalk and into the street by people screaming that I would go to hell for what I had done, that I was a whore and a slut and deserved to die like the “baby” I had just “murdered”.

I went through some medical complications following the procedure that necessitated an abnormal number of appointments with a gynecologist and eventually I came clean and admitted everything to my mother.  I begged her not to tell my father.  She promised she wouldn’t, then told him that same night.  He told me, “Pack your fucking bags; I don’t keep sluts under my roof.”  I didn’t protest, plead, or explain.  I packed a bag and set it by the front door.  I waited.  He was watching ESPN.  At the commercial break, he realized I was still standing in the hallway.  “You can stay here until you’re eighteen,” he told me, “but don’t expect me to ever trust or respect you again.”

There are some pro-birth people who like to tell me, “I mean, that was a special circumstance, you were young, you had no other choice at the time,” but that’s because you know me, and you think I somehow don’t know what you really think about other people in the exact same situation I was in.  Believe me.  I know what you say behind closed doors.  Here’s what you need to understand, though.  I got pregnant because I was being forced to have sex when I wasn’t emotionally or physically ready, but the abortion was something I chose.

I did have a choice.  I was lucky and privileged to. I would choose it again.

As an adoptee who has had an abortion, please understand that you are not allowed to speak for me.  You’re not allowed to tell people that adoption is the more humane alternative to abortion when adoptees are forced into sexual slavery or made to peddle drugs on the streets or deported from the only home they have ever known.  You’re not allowed to tell people that abortion isn’t medically necessary when people die without access to safe, hygienic ones.  Most of all, whether you have a uterus or not, you’re not allowed to tell other people who have them what to do with theirs.

just more of the same

My dog is suffering.

I am suffering.

I know that there are people who think I’m exaggerating.  I’m not immune to the natural human tendency to wax hyperbolic, so I get it.  I haven’t written extensively about what’s going on with Kennedy.  Kennedy has a condition called Geriatric Onset Laryngeal Paralysis Polyneuropathy [GOLPP] which means that he has some degenerative laryngeal and esophageal changes and is experiencing neurological deficits in his hind limbs.  So, basically…he coughs and hacks and sounds like he’s dying if he pants too much (or sometimes for no apparent reason at all) and he’s gone all wibbly-wobbly in the back end over time.  This isn’t the worst thing he’s dealing with, but you need to know about this to understand some of the next part.

Kennedy has always been a fairly anxious dog.  If the Embark test is to be believed, he’s got Siberian Husky and Australian Shepherd in him, so…that makes sense.  As he got older, he became more sensitive to aural stimuli — thunderstorms, fireworks, whistles, etc.  For the past few years, though, he’s been suffering from a steadily worsening case of Canine Cognitive Dysfunction.  He’ll be sleeping soundly and then startle awake without any apparent trigger.  He occasionally thinks the floor is made of lava and starts walking very gingerly like he’s afraid to put his feet down.  He will randomly (like now) have dog panic attacks where he pants and trembles inconsolably for an indeterminate length of time.  I brought him into work the other night to have his nails trimmed under sedation and someone dear to me remarked that I must be exaggerating about how nutty he is at home because he was pretty much dead asleep before we gave him the sleepytime drugs. The person was making a harmless joke and did not mean it in a bad way. I just… [gestures vaguely]

I have taken videos of the behaviors he exhibits to prepare for a consultation with a behaviorist, but I never keep them on my phone for long because it genuinely upsets me to scroll through and see them.  Today he got all his drugs on time.  Matthew and I were home all day.  Nothing happened to set him off.  At midnight, he woke me up panting and tap dancing around the bedroom, so I gave him his, “Okay, I guess it’s going to be this kind of day,” sedative, strapped his Thundershirt on, turned on the fan for him, and tried in vain to fall asleep. Sometimes my going through the, “Nighttime is sleeping time,” motions will convince him to settle down.

He has kept me awake for the past seven hours.

Somewhere around 2:00 or 3:00 a.m., I caught him standing in the corner of the bathroom next to the sink, staring at the wall, panting and freaking himself out. This is a new behavior. The standing in corners or up next to walls has become gradually more common, but the bathroom is a new, weird place for him to be doing it.

The thing is, if he gets too many drugs, he can’t walk because of the mobility issues due to GOLPP, and he’ll slip or stumble going down the stairs or have trouble standing or walking.  If he doesn’t get enough drugs — and sometimes even if he does get enough drugs, like today — he does this, which, also because of the issues with GOLPP, makes me worried that he’s going to pant-cough-hack-choke himself to death.  I tried to lock him out of the computer room so I could try to calm down and sleep in here because I know my own anxiety affects him negatively and I just, I haven’t slept for the past three days, and I was in the hospital last week, and I start a new job tomorrow, and I don’t have the spoons to deal with basically anything.  I know.  Excuses, excuses.  But if I lock him out, he wants to be in.  If he’s in, he wants to be out.  If I leave the door open, he just drifts in and out of the room and marches up and down the stairs panting.  If I let him out in the yard, he wants to be back inside.  Sometimes on special occasions, he will try to eat the house, like…we had a magnetic screen door for a while that he ripped off because he wasn’t let in fast enough. And, I mean, this is an indoor only dog who is only ever out in the yard to relieve himself or dig holes.  There are tooth marks in the glass sliding door, in the door to the computer room, and in the front door and surrounding windows.

Tonight, while he was freaking out, I told him, “You can’t live like this.  You can’t possibly want to live like this.”  My husband and I have been discussing his quality of life for the past few years, but it’s just hard.  When he comes back to himself and remembers who he is and where he is and that we love him and will always protect him, I think, “Okay, there’s still time.  I still have time.  I can maybe still fix this.”  And then there are nights like this, when I’m like, “Okay, maybe this is the time he isn’t ever coming back,” and I feel like I have failed in a way that can never be forgiven or vindicated.  What was the point of working so hard at learning how to heal the sick and wounded if I can’t help him?  What was the point of the past fifteen years in the veterinary field?  Every time he has a really bad night like this one, I wonder what I’m doing wrong.  I know logically that this is a degenerative process that I can’t stop or beat.  I have no control over this. I know. I just…I’m grieving, I guess.

dear kennedy

Venting. My dog’s neuroses make me sad.


I know some of your demons:
the trill of a pea-whistle,
the shriek of the fire alarm,
the gnawing growl of thunder and cymbal crash of lightning —

I know that you love your ears rubbed
hate your paws touched
only think toys are worth having if they make noise.

You rub your face all over the carpet after you eat,
prance like an Olympic gymnast during a floor routine,
love the beach but hate the ocean.
You’ve met a giraffe up close and sea lions from afar.

You love me best.

You are breaking my heart.

Don’t you know?

If I could, I would rid the world of whistles
I would swallow every stormcloud
I would strip from you every encroaching sign of weakness
so that you never had to feel afraid —

because I can’t see these demons
I don’t know what they look like
what they sound like
what they’re made of —

(am I one of them?)

I don’t know how to fight them or how to fix this.

I can’t look at you when you’re like this.
I can’t let you see me when I’m like this.

I know when you dig at the wall or the floor or my bed or my body
what you’re saying is

hidemeholdmehelpme! —

I know the worries get too big for your body
and you tremble beneath their weight —

I know everything about you except how to help you.

불러 줄래 my name

trigger warning: racial slurs


Before I was Amy — before I was even 84C-3093 — I was Kong Joo.  My name is the first Korean word I can remember memorizing and assigning importance to.  I have read comments, posts, and messages written by other Korean adoptees who were older when they came over.  The recurring phrase, “I knew who I was,” and the common fate of changed names and altered trajectories was a feast I gazed longingly upon — a wide, uncharted sea I didn’t know how to navigate.

Sometimes, I still don’t know who I am.

My peers are predominantly English-speaking Americans of distant European descent, and when the opportunity arises to crack a joke about how I see in widescreen instead of fullscreen, I’m always right there with the punchline.  Growing up in Hawaii, we all made fun of one another’s race-specific stereotypes.  There existed an inherent mutual respect that made the whole thing lighthearted and good-natured.  I was a member of a Xanga ring called “Flips, Japs, Gooks, and Chinky People” wherein all the members were of mixed or Asian descent.  We never talked about race in our blogs.  We complained about school; hinted at people we were angry or enamored with; and shared angsty layouts with stormy skies and Evanescence playing in the background or, by stark contrast, cheerful layouts etched in pastels and festooned with Sanrio characters.  It was high school.

Things were different when my family moved back to New Jersey and I started college.  I felt uprooted after having spent my formative years in the islands.  Suddenly, I was a stark minority — but I still made Asian jokes.  I have always been enormously proud of being Korean.  I don’t make Asian jokes to assimilate or to fit in with my white friends — I make them to separate myself from them.  I think all international adoptees struggle in one way or another to build an identity.  I don’t know if there are others like me, who depend on dicey, occasionally misinterpreted humor to get there.  COVID-19 brought about a wave of racism against Asian people that I was not exempt from, but underneath the anger and hurt I felt every time I was treated poorly by customers at the nearby Albertsons or talked down to by clients at the veterinary clinic, I felt a strange undercurrent of validation.

In 2017, I watched a video by Wong Fu Productions called In Between and found that while I identified strongly with feeling different from everybody, there were some key differences: I’ve never felt “the same as” my white friends and I’ve never striven to be.  I enjoy being different in that regard.  I’ve definitely been edged out by Asian Americans who have Asian parents and celebrate Asian traditions, but I’m so accustomed to it now and so good at self-isolating that I don’t feel the sting quite as much as the main character in the short.  I already see myself as irrevocably inferior, especially among Korean Americans who are not adoptees, so when I’m faced with the prospect of interacting with them, I do everything I can to run and hide.  They don’t even have the chance to reject or accept me.

I am an eternal fugitive, and rejection is my Javert.

The few times I’ve felt completely comfortable in my own skin are rare; they always catch me by surprise.  I felt most at home when I was studying in South Korea.  I talked to perfect strangers in Korean and felt no shame when I had to ask them to speak more slowly or repeat something.  I felt happiest when they called me by name.  My teacher alternated between using 에이미씨 (Amy 씨) and 공주씨 (Kong Joo 씨).  I always preferred the latter.  It was the first time anybody had called me Kong Joo in a way that wasn’t a mean joke — and, believe me, I’ve heard the jokes.  I’m very anti-gorilla because of them.  King Kong, Congo, “Amy want rain drink,” — yeah.  I’m not a fan of gorillas, but I do like Gorillaz.  And I like this song.

Ever since coming back from Korea and being called Amy again, I’ve felt a growing dissonance with the name and who it really represents.  My relationship with my adoptive parents is complicated, to say the least, and I am not the person they hoped I would become.  On my best days, though, I think I might be inching closer to the person I would like to become.  And I have fantasized for years about reclaiming my Korean name — my first name — but the transition has always seemed impossible.  (I’m too shy; won’t a name like mine be considered pretentious?  I’m too embarrassed; won’t my peers balk at its otherness?  I’m already Amy to so many people; won’t a new nickname be a huge inconvenience?)

For some reason, on August 18, 2020, the transition very abruptly seemed entirely possible.  If you’re like me, and you suffer from complicated comorbid disorders like depression, anxiety, and C-PTSD, you probably know what this is like.  When your brain finally shuts the fuck up and lets you do the thing, you fucking do the thing.  I printed and filled out the forms during my lunch break, and after work I went immediately to the courthouse.  A few days prior, I had posted in the KAD groups on Facebook to basically ask permission to go through with it in a weird way, but I realize now that my mind was already made up.  My mind has been made up for years.  I realized at some point that while most of the people I regularly interact with these days know me as Amy, I’ve gone by KJ for far longer — since the dawn of AOL dialup, actually.  (If you’re immediately hearing a dial tone in your head and the screeching of an ancient modem, congratulations.  You’re old, like me.)

Last Saturday, eleven days after turning in the paperwork, I wrote to Eastern Social Welfare Society to inform them of my new name and tacked on, in a fit of lonely curiosity, “Could you please tell me where my Korean surname comes from?  And may I please ask what the 한자 (hanja) for 신 (Shin) would be?”

NOTE: This explains what hanja means because I am ineloquent.

The response read, “Your surname is 신 申. The meaning is repeat.  We feel very sorry, but there was no information about your birth parents, even their names.  On the day of your birth, a nurse in the clinic named you following her last name, but her full name and other details are unknown.”  I had already been told this when I visited Eastern Social Welfare Society in person, but reading it and seeing the hanja is somehow more meaningful. I feel connected. I feel grounded.

…so, all this to say, I legally changed my name.  It was made official August 28, 2020.

My new name is a gift I have given myself.  It is an amalgamation of other names that were given to me and other cultures I have been adopted into.  It bears testament to the individuals who, in one way or another, took a chance on a nameless, homeless, clanless nobody.  I’d prefer to be called KJ, unless you know me as AK, Daerani (Dae), Txanyi (Anyi, Txi, Txa, Tex, the list continues ad infinitum), INKDOG, or any other affectionate nickname we’ve somehow conjured up over time.  I don’t expect everyone to go along with this, so don’t feel like you need to correct people.  I know some people’s vernacular doesn’t allow for change or adaptation.  Just know that even if you’re more comfortable calling me Amy, going forward, new people are going to be introduced to me in a different way.

When they say KJ, they mean me.

Those are my initials. That is my name.

(Oops, this is terrifying, and why did I think writing this out was a good idea?)

blank

A working title. This one just kind of happened to me.


Tonight, I discovered that my fear of blank pages is not learned, but innate —
a preexisting condition with a multitude of vicious comorbid disorders.

Sometimes, when I pore over the pages,
(press my fingers to the text
press my lips together
press my fist against my chest)
the empty spaces between the lines expand,
a horde of horizontal, hungry mouths,
and I am engulfed —

and when at last I break surface,
shaking hands windmilling wildly for succor,
I cling to the now familiar handholds:
two “x”s,
ironclad and indelible —

a. Illegitimate [x]
b. Abandoned by Mother [x]

Sometimes, when I read about 84C-3093,
I forget I am reading about myself —
and I am able, suddenly, to feel compassion for her:
small girl,
clinging to two x-shaped certainties,
at constant risk of drowning in that blank, uncharted sea —

and then I remember that we must be grateful
that we could have been snuffed out
that my feelings are as illegitimate as my birth
that being alive to feel this lost is a privilege

and I thrust from myself any borrowed empathy.

thirty-four

I wrote this thing, and it is not very good.


I am thirty-four

and the years have muted my seaglass shine
but I have not been polished smooth —
I am roughhewn, stormworn,
firescarred and scorched,
all jagged margins and serrated edges

and I cannot shed the weight of these years
because this baggage doesn’t slough
(I cannot grind or burn or cut it away;
I cannot wear it like armor;
it does not insulate or fortify)

and I’m heavy —
heavy-hearted, heavy-handed
lead foot on the pedal

(slick pavement

no traction

wheels spinning)

and I think maybe my body is erupting
a mine-riddled warzone for Nature and Nurture
and I can’t breathe here
can’t stand, can’t move, can’t live here

and your questing fingertips
serpenttongue and eyeteeth
cannot crack my gnarled defenses
you can’t lick these wounds
you can’t ford this wreckage

and these scars are just scars to you
because you haven’t learned what I already know:

every life is a galaxy —
there are alphabets in these imperfections
you can read them like Braille
construct countless constellations
rove raised-relief replicas and find your place

I am thirty-four

(and I did not plan to stay this long)

I told myself
I was going to leave early
sneak out unnoticed

PSA: On Perfectionism

PSA: Telling someone to, “Stop being a perfectionist,” is like saying, “Stop having allergies.”  Chances are, the perfectionists in your life already wish they could stop, and they take measures to keep trucking and being productive, and some of them may take medication if the perfectionism is related to a mental disorder, and they are doing the best they can.  Probably, they are letting things slide that you do not even have the capacity to SEE because you do not need things to be perfect, and your telling them to, “Stop being a perfectionist,” is already a moot point because they are forced to accept at every turn that nothing in life is perfect, least of all them, no matter how hard they try to achieve the impossible.
 
You love perfectionists because they are why things at your workplace get done that other people overlook; because they remember your likes and dislikes and work hard to prove that every single day; because sometimes the quirks and the memes are funny; and because if you had to one day be without them, you could say goodbye to people like your hairdressers, the chefs at your favorite fancy restaurants, the doctors who do surgery on you and your pets, the people who design the artwork you hang in your home, the coders who make websites like this one, etc.  You could say goodbye to DISNEYWORLD.  We make up a lot of the population, and even when we seem to make your lives harder, it is because we are putting every possible ounce of effort into making them easier.

no

trigger warning: rape, abuse


She whispers it
and the tail end of that long, long vowel sound
wavers and moans like a worn floorboard.

You sidestep around it,
feeling your way along,
and when it comes again —

no

— you stifle it with your teeth,
sheathed beneath the suffocating press of your lips.

She is a child,
collects stuffed animals
is captured by your charm
and cowed by your condescension —

but she’s got calluses on her hands
scars on her shoulders

her legs are not shapely but sturdy,
with scarred knees and soles.

Soft and small,
she bares her teeth at you
but her tongue sticks on the consonant,
and before she can form the word

stop

you’re prying her open,
and she’s a tightly closed fist,
the jaw of an animal,
easy enough to break

anxiety

I have not liked anything I have written lately.  x__x


let me tell you about anxiety —

because it’s more than the
quick hitch
whip around
sharp gasp
racing heart —

it’s multiplied, magnified —

it’s
oh-why-why-why-did-i
say-that-thing
in-that-way
to-that-person
at-that-time

and

sorry, what did you say?
sorry, what did you say?
sorry, what did you say?
while Their words crash encrypted
against the firewall of your panic

it’s
oh-why-why-why-didn’t-i
speak-sooner
shut-up
talk-louder
quiet-down

it’s surreptitiously trying to convert mannerisms into mathematics —

how much oxygen is in the room
and how much of it can i sneak stuttering into my lungs
and will They notice if i’m taking too much 

how much space am i taking up
and if i stand here or here or here
or shrink into myself
or suck in my gut
will i take up less 

how many minutes have They spent on me
and how many more am i allotted
and are They giving them out of charity
or did i earn the right to keep them

it’s a prison
where your ribs are the bars
and your heart is a tripping, seizing convict
slamming against the walls
screaming and slavering
grappling with demons unseen
while your lungs, those unfortunate cellmates
squeeze themselves small
bruised and battered
by your heavyweight heart

kedim xx: lotte

Yesterday I doodled and uploaded a new ASMR video.

I still have two ten minute coffee can poems I need to write, but today I had something of a breakthrough that I would rather talk about instead.

I mentioned WOLF and Undersea and Coelacanth, but I also have three other characters that I adopted from other players: Cypress Frostfur, Szymon Cairn, and Lotte Ansbjørn.  I know.  Wolves with last names.  It’s a thing.  Don’t worry about it.  Szymon is retired now, which means I pulled him from the game and don’t write for him anymore, but it was ridiculously easy for me to sink into his character.  Cypress is the same way.  I identify with a lot of their personal struggles and our neuroses tend to match up.  The boys don’t react the way I might to certain stimuli, but still — writing for them has generally been easy, inspiring, exciting and fun.  I struggled more with Cypress because I have played him since he was born on June 27th, 2016.  It’s really boring to play a newborn wolf puppy because…they don’t really do anything.  They can’t even urinate or defecate without assistance.  You’re just like, “CYPRESS WORMED AROUND, NURSED, AND FELL ASLEEP.”

For weeks.

Anyway, I don’t really feel like going into detail about Cypress and Szymon [affectionately nicknamed “Sizzle”] because that would take me ages and I have things I need to do.  What I wanted to talk about was Lotte, my problem child.

Lotte wins the award for the character I struggle with the most, and it’s not for lack of trying.  I’ve played her since Cypress was born and it’s never gotten any easier.  She does things that make me cringe — she’s brash, outspoken, and dominant and I’m timorous, introverted, and submissive — and the vast difference in our personalities is probably a significant part of the rift I feel with her, but that’s not the only thing.  It takes me days sometimes to get into the mindset of writing for her, but once I do I think her posts come out okay.  It’s just…getting there is brutal.  Not a day has gone by where I haven’t thought, “Man.  It would be so nice if I could just drop Lotte and keep on with Coelacanth, Cypress, and Eirlys.”

Oh, yeah.  I also play Eirlys, Lotte’s daughter.  She was born April 1st, 2017.

Everybody struggles for inspiration at some point in their lives, I think, so I don’t really dwell on the constant agony that is trying to get into Lotte’s mindset.  Some people listen to music and other people read works of fiction or watch shows that inspire them, but that doesn’t always work for me.  Originally I thought it’d be cute if Eirlys took after Moana a little bit, but that plan has been scrapped because although the pack she was born into was originally a seaside pack, they’ve since relocated.  Now they live in a little strath in the southern hinterlands weeks away from the ocean.  It’s…kind of a bummer, honestly, but that’s my personal affinity for the ocean speaking.  Lotte hates sand.  She’s from the northern tundra.

WE HAVE NOTHING IN COMMON.

thought.

Maybe up until approximately an hour ago, I still felt that way.

Now, though, Sara Bareilles has done some kind of crazy magic voodoo and given me a flicker of hope for Lotte’s future.  Her fantastic song from Waitress, She Used to Be Mine,” has been on repeat for the past week or so.  I never once linked it to Lotte.  When I write with music, I usually pick a song or an ASMR video that I like, stick it into ListenOnRepeat, and let it play in the background.  What I’m listening to doesn’t have any bearing on what I’m writing — I just need background noise.  Otherwise, I get distracted by every little thing that happens in my house.

It used to be the cool, fancy thing to garnish our posts with song lyrics or lines of poetry that encapsulated the situation or the character.  Some people still do it.  I still do it, if I’m particularly moved.  Cypress is heavily inspired by Edgar Allan Poe and most of the titles of his threads come from Dream-Land.  Similarly, I draw from a wide range of sources to immerse myself in the right feel and aesthetic for Coelacanth’s posts and for Undersea.  Lotte, though?  There hasn’t been anything I’ve listened to or watched that has “spoken” to me from her point of view.

Until now.

Because Sara Bareilles broke my brain.

Today I wrote a Lotte post that I was unusually happy with, and it felt like I’d broken through.  I’d won, somehow.  I still don’t know if I’ll be able to keep her long-term because it’s just…really, really hard to write for her, but today is a good day.


it’s not simple to say
that most days i don’t recognize me
that these shoes and this apron
that place and its patrons
have taken more than i gave them
it’s not easy to know
i’m not anything like i used be, although it’s true
i was never attention’s sweet center
i still remember that girl

As he often does, Arturo gives Lotte a gift she doesn’t realize she needs.  He has married a soldier, not a princess, and it is all too easy for the young queen to lose herself in duty and responsibility.  These things fuel and drive her, but she is helpless in the face of their demands.  Without someone to forcibly take the bit from her mouth, she is too easily consumed by them.  The dawn of the year has brought event after heavy-hitting event — the Donnelaith fire, her move to Teaghlaigh, and her marriage to Arturo; her ascension to leadership, her first heat cycle, and her ensuing pregnancy; the threat of Blackfeather Woods, the exodus to the hinterlands, and the exile of Olive and Dakarai. Add to these things the departure of her kaksonen, the birth of her children, and the constant struggle to keep them happy and healthy despite their dicey arrival, and what you have is a stretched-thin girl with a hard-lined mouth and cool silver eyes.

Some days it feels like Lotte Ansbjørn died in that fire. Some days it feels like she left with Dagfinn. Some days Banríon looks at her reflection in the water and searches for that girl, that reckless, hoydenish girl who wooed and won a gangster in gentleman’s clothing, and doesn’t recognize the harsher set to her black-masked features. There’s a stranger in her body, and only her eyes know that what she’s seeing isn’t what’s inside — but not with any concrete certainty. Where is the laughter? Where is the spice, the sass, the spirit?

Where is Lotte?

At present the soot-stockinged songbird is seated riverside, and when her mate’s call rises above the trees her charcoal-colored ears flick and swivel to catch it. Her children are already under Hemlock’s capable care, but there is still a moment of sluggish hesitation that delays her. Every day that Dagfinn’s gone, it gets harder to answer to the sound of her own name, not out of spite or despondency, but because without him to ground her it’s all too easy to forget who she is. This time, she is not Kaniini, Kitku, or Solene.

She is a stranger even to herself.

After a beat, she rouses herself to respond to that call. She doesn’t know how much time has passed, if any. She doesn’t clock the hours the way she used to. Her surefooted paws draw her away from the river and out of the strath, into the sweep of fragrant cedar where a forest clearing and a good, solid man who loves her waits. There is no ecstatic flutter of her heart as she stands, breathing deeply, looking at him; but there is a feeling of weightlessness that melts the ice in her argent eyes degree by slow degree. She warms to him, softening, a smile curling the sharp corners of her lips and making something sweet of them. “Turo,” the nightingale sighs, instinctually defining herself by her place at his side. It’s easy to cross the distance. Easy to snake her body hard against his in the old, familiar way, and walk a circle around him before pressing her lips to his cheek, his mouth, the base of his ear. It doesn’t fix the problem, but she doesn’t see that. Doesn’t care.

“I have missed you,” she murmurs, and these words are true.

she’s imperfect, but she tries
she is good, but she lies
she is hard on herself
she is broken and won’t ask for help
she is messy, but she’s kind
she is lonely most of the time
she is all of this mixed up and baked in a beautiful pie
she is gone, but she used to be mine